Last Sunday I went to the Revue Cinema in Toronto and saw the silent version of Hitchcock’s Blackmail. It must have been so many years ago that I saw it—I think it was the talkie version of this film—that I had no memory of the story any longer . This print, or rather digital copy, was remastered, pristine and beautiful. After it was over, I couldn’t wait to get home and watch the film all over again, or at least what I believed was the talkie DVD that I own. I was concerned, though, that the copy that I had would be a terrible print and lately I’ve been debating with myself if it’s worthwhile watching a print that’s awful versus not seeing it at all. But I was pleasantly surprised to find that my print wasn’t bad at all.
Lately I’ve been choosing to watch my films based on what I’m reading and sometimes what I’m watching. For instance, I watched the 1929 version of The Last of Mrs. Cheyney because I had just seen the 1937 remake, and, besides enjoying comparing two versions of films, I wanted to see if I agreed with the contemporary reviews.
September 8 to 11, 2016
I have recently returned from the very first Western New York Movie Expo and Memorabilia Show. It was held in Buffalo, New York from September 8th to 11th, 2016. It was organized by Alex Bartosh and certainly was memorable in many ways.
To read about Toronto Film Society’s annual Raiding the Vaults at the George Eastman Museum in Rochester, New York, click on the Toronto Film Society tab above. If you’re looking for Day 2, scroll down to August 1, 2016.
I have been a member of Toronto Film Society (TFS) as well as off and on the Board of Directors for many, many years. I had taken a hiatus for the past two years and at the Annual General Meeting (AGM) in June, I was voted back on.